UXEM organizes the registration, administration and tracking of your compositions so authors, rights holders and shares stay correctly identified.
Specialized service available through separate contracting.
When a song is released, different rights, rights holders and royalty flows come into play. Distributing the master does not automatically register the work or administer its editorial rights.
The sound version distributed to platforms. It can be linked to:
The song as a creation: melody, lyrics and musical structure. It can be linked to:
A song can be correctly distributed and still have incomplete editorial information.
UXEM organizes the works included in the service and links them to their songwriters, rights holders and related recordings.
The percentage owed to each author or rights holder within the composition is documented.
UXEM prepares and manages applicable registrations with the entities and territories covered by the service.
UXEM oversees the information received and manages claims or editorial royalties within the contracted scope.
The songwriter provides the songs they want to bring into the service.
Title, songwriters, lyricists, shares, existing publishers, associated recordings and prior registrations.
UXEM checks that the information is consistent and flags possible gaps, duplicates or conflicts.
We review the documentary consistency of the information provided — this does not replace independent legal review.
Works are organized according to the requirements of the relevant entities, societies or partners.
UXEM maintains the relationship between works, rights holders, shares and registrations within the mandate's scope.
When reports or editorial royalties are received, the information is linked back to the administered repertoire.
You keep visibility over your works. UXEM coordinates the editorial operation.
Work title
The registered name of the composition.
Songwriters and lyricists
The people who took part in its creation.
Shares
Percentages agreed between rights holders.
Publisher or administrator
The entity responsible for managing the corresponding rights.
Codes and registrations
ISWC and other identifiers available depending on the repertoire and related entities.
Linked recordings
Master versions (ISRC) associated with the composition.
This should not be confused with automatic distribution royalty splits.
Describes what percentage of the composition belongs to each author or rights holder.
Defines how UXEM allocates certain distribution income within the platform.
An editorial share is not the same as a master-income split.
Contracting the service does not transfer ownership of the composition to UXEM. It grants only the authority needed to register, administer and collect within the agreed conditions.
Timelines for adding or removing a work with collecting societies depend on each of them — they can take several months.
UXEM administers the repertoire and manages editorial collection based on available coverage and current agreements, within the territories and right types covered by the service — there is no guaranteed worldwide coverage for every work.
Traceability matters as much as the amount: every administered editorial royalty keeps its link to the work, the rights holder and the source that generated it.
May include
Should not be presented as
Available only to accounts with an active PRO plan.
USD 150 per songwriter
One-time payment. Includes onboarding the songwriter and registering all their works, with no limit or extra per-work cost.
The service is contracted separately. Coverage, repertoire and terms are confirmed before activation.
No. Master distribution and editorial registration are different processes. A release can be correctly distributed and still not have its editorial information registered.
Yes. Contracting the service does not transfer ownership of the composition to UXEM — it grants an administration, registration and collection mandate, with a standard 1-year term.
Editorial royalties within the territories and right types covered by UXEM's current agreements. There is no guaranteed worldwide coverage for every work.
Your PRO/CMO affiliation is part of the information UXEM administers — it's actually required to complete your registration. If you already have an active affiliation, it's registered as part of your songwriter profile.
Yes, as long as you can provide the necessary information (songwriters, shares and associated recordings).
Only when a real mechanism exists to do so, within each case's specific periods and territories — retroactive collection is not guaranteed.
Preparing the registration and its processing with each collecting society are different timelines: it can take several months, depending on the territory and society involved.
Yes. Beyond the one-time activation fee (USD 150 per songwriter), UXEM retains 30% of editorial royalties collected through this service.
The songwriter can leave whenever they want, with no minimum-term penalty. Royalties already reported before leaving continue their normal process; new ones stop being administered from the exit date.
Organize songwriters, rights holders, shares and registrations within an editorial administration built to reduce uncertainty.
